Nov. 9th, 2015

gordonzola: (terroir)
I see that there is going to be a 33 1/3 for Young Marble Giants “Colossal Youth” album. I love this album but don't know if I want to read this book. The minimalist mystery of this album is what always intrigued me. When I first heard it, I just couldn't understand where it came from or how it existed. I hear it now and even though its filled with anachronisms in detail and a societal outlook that is hard to explain to anyone born after 1980, I still love it.

Sometimes art needs an explanation, to put it in context, to understand how it came about or how it was a stepping stone to something else. But I prefer this album how I found it, obscure and open-ended. I’m not trying to sound like an old man but the fact that I think most of us teen Americans who heard Young Marble Giants in the ‘80s, first heard them as a song in a mix tape or from than one haunting song on the classic Rough Trade comp “Wanna Buy a Bridge?” Additionally most of us heard them after they broke up, when early punk was become hardcore in the USA, when our music was becoming faster, louder, shorter and more dude-centric.

Kind of the opposite of this:


Young Marble Giants influenced many of the bands I loved in the late ‘80s/early ‘90s but when I first heard them – in the early mid ‘80s -- they sounded like they were from another world. Even more than the non-generic bands that I listened to at the time (Flipper, Arkansaw Man, The Residents… later Tragic Mulatto etc.) I didn’t get them, but I always wanted more. I didn’t really get the subtle differences in English punk/post-punk/new wave etc, but I’ve always liked a good art band. One of any art band’s greatest assets though, is not giving up their influences… to sound like they just came into your head from somewhere where you not only had never been, but a place you couldn’t find on your own.

“Colossal Youth” is haunting, sparse, hinting, political but non-dogmatic, emotional, oddly affecting, and catchy. Somehow it manages to be somehow familiar yet inexplicable at the same time. I love quoting the Big Boys song “Fun, Fun, Fun” at this point of music entries to show how limited the expectation of range punks had in the ‘80s: “I’m a punk and I like Sham./Cockney Rejects are the world’s greatest band./ But I like Joy Division, Public Image too/even though that’s not what I’m supposed to do.” Young Marble Giants were even more outside that realm. Still their songs made it on to mix tapes and were listened to in quieter moments.

I think “Colossal Youth” is a great subject for a 33 1/3 book, I just don’t know what I could possibly learn about the album or the folks who made it that could make “Colossal Youth” any better. On the other hand, I could think of a lot of things that could make it worse.

“Colossal Youth” is simply one of my favorite records of the whole post-punk era:





(You know, I never was a Hole fan so I didn’t realize until right now that they did a cover of “Credit in the Straight World,” -- my anthem of the last month -- that, imho, really missed the whole point. )

Young Marble Giants:


Hole:

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