gordonzola: (Default)
You know people are your friends when they come see your relatives in a youth theater musical. I just got back from LA where my 14 year old niece was starring in "Thoroughly Modern Millie". Now, my niece can really sing so this wasn't punishment. Those of you who've known me a long time may have gotten a mix CD that ended with her singing the song she wrote when she was 11 called "Hey You People". I know that [livejournal.com profile] reddawn forced her friends to listen to it like 10 straight times while stuck in a traffic jam coming into San Francisco. They were singing it when they arrived at my apartment.

I arrived to the third and last performance early enough to have to help set up the sound system. This meant having Yacht Rock musician Christopher Cross tell me where to put the speakers. Life is weird sometimes.

My Brother in law kept sending me back to thew dressing area to find things needed for the stage. Now, I try to be a good friend to my friends with kids. But there is one area that is impossible for a guy without kids to overcome. Please parents, do not send your unknown adult male friend into an area where teenagers are in varying states of dress.* I walked in and out very quickly once. When I was sent back in a second time parents began to notice me. On the third trip, they were definitely eyeing me and not nicely. I tried to defuse the situation. "I'm M's Uncle," I said.

This wasn't a great move either. While they could be less worried that I was some random perv, now they thought I was pulling rank because my niece was the female lead. If anything the reception got colder.

I went outside to wait for my friends. I was actually trying to text them about the sub plot of the musical. I googled a plot summary before I left SF but it just said, "Millie Dillmount, a fearless young lady fresh from Salina, Kansas, determined to experience Life, sets out to see the world in the rip-roaring Twenties. With high spirits and wearing one of those new high hemlines, she arrives in New York to test the "modern" ideas she had been reading about back in Kansas: "I've taken the girl out of Kansas. Now I have to take Kansas out of the girl!"

It wasn't until an hour before showtime that my BiL told me that the major sub-plot was about white slavery and that the play had two white kids dressed as coolies and speaking "Chinese". Oh god.

So anyways, I was trying to text them when they walked up. I am blessed with loud, smart women in my life and true to form I heard them coming from down the block. Two grad students and a professor are coming to watch my niece in a show that I just found out is deeply racist. Awesome. I gave them the rundown on the potentially troubling bits and found out later that my BiL did the same thing when I went to the bathroom.

They were all veterans of teen productions so they remained unfazed. Thankfully that aspect wasn't as bad as it could have been. The most potentially offensive accent belonged to a character who was an actress pretending to be Chinese so there was some context for her being over the top. The "coolies" didn't speak in "ching-chong", and while I doubt they were being fluent, it sounded like effort had been made to have them phonetically speak real words. Also one of them is a hero in the end who marries the rich white girl.

My niece is really awesome, did I mention that? She was onstage almost the entire night and this was her third 2 hour show in about 24 hours. I do not say lightly that I think she has the potential to make a living at this if her voice keeps progressing. Her goal in life is to make it in Broadway and I actually think it could happen if she keeps working as hard as she has. I don't think the Academics were just humoring me when they told me how good she was. I looked at them surreptitiously in the dark and they seemed to be smiling.

My second favorite non-niece moment was when [livejournal.com profile] defenestr8r, who has quite a piercing voice exclaimed, "My god, he's like a mini-James Spader!" about the male lead. My first favorite non-niece moment was when Mini-James was thanking people at the end of the show and thanked, "My Mother, and Dear Friend, (Name)" These are definitely LA theater kids.

It will be so awesome if my niece becomes a star.




*though, truth be told, in my high school the goal of at least a couple of my classmates was to get as naked as they could get away with in every show. The performers of TMM didn't even seem to notice my presence.
** Thanks [livejournal.com profile] defenestr8r, [livejournal.com profile] prof_southbay, and [livejournal.com profile] smallstages for coming to the show. And thanks to [livejournal.com profile] chitinous for the ride to the West Side. Sorry you were sick and missed the show.
gordonzola: (Default)
When I left home I made a huge effort to find community. My family isn’t evil or bad, and they actually come through for me in a pinch every time, but it wasn’t enough. They tend to be loners and isolated. If there was one thing through my childhood that I knew I needed to change it was that. I needed more people.

How one falls in with their social group isn’t determined by any one factor of course. But I’m sure the communal nature of the anarcho-punk scene in the ‘80s contributed to my desire to belong to it. That and Reagan, of course. But while many of us resisted the word "family" to describe our social networks, (because of the mistakes of the hippies, because of an analysis of patriarchy, because it can be really creepy) it was clear that we were creating both political action bases and networks of mutual aid that could give us what most of us didn’t get from our nuclear families.

That kind of political organizing has obvious limits that I’m not going to address in this entry. But one of the things it did was give you a connection in every city in the country (and often elsewhere). It provided social connection and mobility in ways that none of us had individually. To be sure it wasn’t quite the same as family, you had to be able to do-you-know and observe certain local customs and rites that were sometimes annoying or challenging (seeing later-era MDC for instance), but it wasn’t that far off either. In some ways one’s anarcho-resume was like a letter of introduction, you level of acceptance was dependent on who would vouch for you. You also could fuck things up on your own but it got you in the door.

The days are over long ago when just a small punk freak flag would get you invited into a scene. And they were gone long before Nirvana hit it big, though that certainly killed it forever. Any subculture has its ways of determining who is a member, of course. My membership was ensured by working with a group of folks, college kids mostly, in Ithaca NY. We had a zine and a collective house and often ventured out as an affinity group to actions and protests throughout the country. The work of one of us was the work of all of us in some ways. That a year before I met those folks they helped blockade the Rock Island nuclear arsenal, meant that I, who wasn’t even there, was trustworthy, on a provisional basis at least.

What was being created during the ‘80s, through shared zines, mailing lists, political actions, squats, and music was a large-scale network of mutual aid. I make no claim that it worked perfectly or even very well. There were rip-offs, betrayals, assaults and even rapes, like every other community. Still it was an undertaking that is notable for its optimism and scale.

Our movement tried to mimic and improve what I would view now as failed counter-cultural politics of the ‘60s. The goal of (cultural) revolution, which was certainly not a goal for all involved, obviously didn’t happen, but the intermediary step of creating support and community in a country overtly moving towards social Darwinism and isolation did. ( I wrote about some of this in my Reagan Obituary .) The fact that its existence is not well known doesn’t mean it wasn’t important to many people.

There are many definitions of ‘community". I urge you again to go visit [livejournal.com profile] anarqueso’s entry from Saturday including the comments to see a wide varieties of definitions. I agree with [livejournal.com profile] jette that subculture is not the same as community. But I would add that it can be .

Communities are created by some kind of shared experience (including geography) that allows people to acknowledge the world beyond themselves. Obviously through most of history that concept would be taken for granted because there was no other way to survive. In this post-industrial, post traditionally-tied, post conscience society we live in however, one can have, and is even encouraged to have, the illusion of complete personal autonomy and independence.

Anarchists love the phrase "mutual aid" but they didn’t invent the concept. Yes, Kropotkin proposed that mutual aid was a more correct evolutionary concept than survival of the fittest, that species who cooperated with each other prospered better, as a whole, than those that didn’t. But I’m not here to clean out the dustbins of history and rehash that argument. My point is that mutual aid is not historically a countercultural concept but one that our world is partially based on.

Burial societies are probably some of the oldest organizations of not-necessarily-related people around. While for cultural reasons they are often based in a common religion, the were decentralized groups based on the concept that if you pitch in for others, they will pitch in for you. Though my workplace has certain revolutionary organizational concepts of financial support, one of the most basic concepts is informal and traditional: the collection taken for a worker in need. No one is in charge of it, but if it is known that someone needs help, someone will take up a collection and deliver it.

I don’t know if the concept of community was simpler in the olden days, I suspect it was but maybe that’s just romanticization. I feel tied to many different communities: my family, my neighborhood, my workplace, my friends etc. Some of these one can opt out of and some one cannot. Some were simply a matter of being in the same place and time when something intense happened. Even if [livejournal.com profile] anarqueso wasn’t the amazingly supportive person she has been over a long period of time, she became part of my not-optional community the night she took me to the hospital when I needed it.

The ‘80s anarchists are still in that category for me also. If someone can rattle off references and experiences from that time period, they become my people even if we never become close. [livejournal.com profile] unemployia and I have never met for example, we might not even like each other in real life (though I think we would), but we have a bond. There are moments when what you do defines your place in a community forever, even if one is later banished from, or leaves, that community. For me, those folks, even the ones I didn’t know, who dared to stand out that much in a time of obvious hostility combined with their dedication to creating networks of mutual support for me and others forever cemented a place for them in my life.

Like I said, it’s not my only community and one can certainly have different levels of commitment even within the communities they belong to. And it feels a little odd sometimes, considering I haven’t really attended anarcho-community events much, if at all, since the early ‘90s to still have those feelings.

Maybe that’s part of community too. For all the use back in the day of a phrase I always hated, "intentional communities" , the fact is that the way community works is that it becomes a non-rational part of you. Sure, one can analyze it, and, usually painfully, cut out members when necessary. But it’s not community if you are using a bottom-line, cost-analysis to figure out who is a part.
gordonzola: (Default)
About 2 AM on the morning of Thanksgiving I awoke stuffed up with a bad cold. I had to blow off the sibling and children hike around Lake Lagunitas and stay in bed watching football. Well, I watched football after I broke a big rule I had set up for myself: never watch a Mike Leigh movie on a family holiday.

I’m typical in that I do tend to get depressed around the holidays. Not incapacitated, but noticeable to me. One year for x-mas day [livejournal.com profile] jactitation and I had a movie fest with the theme "dysfunctional families". It was fun when lots of other folks were there, but a late night viewing of "Meantime" pushed me over the edge from ironic distance to seriously unhappy. I vowed never again.

If you haven’t seen a Mike Leigh movie, he is an amazing director. He concentrates on family dynamics and class. The cinematic effect of many this-is-my-horrible-childhood movies is autobiographical and individual. "My dad was the most abusive drunk ever." "My mom did more prescription drugs* than yours." Mike Leigh’s films go beyond the personal wallow /squirmy voyeur formula into intense examinations of family, limited options, and people working within their confines and abilities. "High Hopes" is one of my favorite films ever and "Life is Sweet" pretty amazing too. "Secrets and Lies", his kinda breakthrough movie, pulls its punches at the end, so if you’ve only seen that, try another.

But I woke up stuffed up and with just "Career Girls" and the Metallica therapy movie on hand from Green Cine (local Netflix-type company). My head hurt too much for metal . "Career Girls" was awesome . I don’t know why I put off seeing it for so long. Basically two women, housemates and best friends in college, reunite after not seeing each other for six years. It’s about fragility, sacrificing friendship, masking neurosis as best one can, hurting people by accident, still feeling pain from things others don’t remember, and the limits of friendship. It wasn’t as brutal as many of Leigh’s other films but I still ended up calling my friends afterwards, some just to hear their voices on their voicemails since I knew they were gathering for the holiday and away from phones.

I did eventually drive to my parents house with $75 worth of cheese that I ate despite the fact that I knew I wouldn’t be able to breathe afterwards. It was good. For those playing at home I bought the following:
L’edel de Cleron – The best faux Vacherin Mont D’or out their right now. Pasteurized milk but still oozy, earthy, rich, meaty and covered in bark
Fromager D’Affinois – basic brie
Italian Muscato – Cow milk cheese aged in wine. One customer called it "floral". [livejournal.com profile] anarqueso said, "Yes, if by ‘floral’ you mean boozy!"
Tumalo Tomme --Semi-soft raw goat milk cheese from Oregon. Tangy and milky. Any Wipers fans out there? Everytime I cut this I get that "Romeo Roam" song in my head.
Basque Pilota -- Basically an Ossau-Iraty but with 50% cow milk to give it a richer taste. One person called it "Basque Velveeta" because of the texture but that was not meant as an insult. Melts in your mouth. We sold 1000 lbs. of this in two weeks and we are all quite sick of cutting it.
Bravo Farms Chipotle Cheddar --Central Valley cheddar with smoked hot peppers. It’s really cool looking too, all marbled like fatty meat.
Humboldt Fog -- The best of the local goat cheeses. Again, it looks really cool and they use [livejournal.com profile] sarahshevett’s milk.
Rogue Blue -- The limited edition blue from some of my favorite cheesemakers. Wrapped in wine-soaked leaves this might be the best American Blue. Pungent, creamy, rich, salty goodness.

Once again, the cheese was the best part of the meal .



*Ever seen "Postcards from the Edge"? That was a bad movie. Carrie Fisher painfully confronts her mom in the final scene with "You gave me wine as a child.** That’s why I’m addicted to drugs and sleep with horrible men!". It’s like she lost the dysfunction competition with Christina Crawford.
** or something relatively minor like that

Very odd.

Sep. 16th, 2005 05:46 pm
gordonzola: (Default)
My sister, who's seven years older than me, got rushed to the hospital yesterday to get her appendix taken out. She's fine. In fact she said she's enjoying the break from the kids and husband. She even got hers done lapriscopically so she's already off the pain meds.

I guess our family has late-blooming appendices.
gordonzola: (Default)
Ok, Sir Ivan has me baffled.

I went to my parents for Mother’s Day and found a four-remix CD of his techno-reprise of "San Francisco", the old Scott Mackenzie song. You know, the one that goes, "If you are going to San Fran-cisco / Be sure and wear some flowers in your hair." Ok, I realize that most of you probably know neither song. Bear with me.

Back before our candy raver radio station (The Party) turned into a 24-7 Tupac station, which then turned to second-run pop hip hop station, The Party played the techno version of "San Francisco almost every day. I always had a mocking dislike for the original even though, and I swear I’m not lying this time, it was playing on the radio as I got in the car to leave upstate NY for good and move back home in 1989. That’s the kind of thing that’s supposed to give you a soft spot for a pop song. It didn’t.

I think it’s the "You’ll be sure and meet / some gentle people there" line. A crucial formative experience for me were the 1984 Democratic Convention protests that were dubbed "The Summer of Hate". The Afflicted, a local punk band, even wrote a song about it. Kinda. It ended with the lyrics, "Summer of Hate / Ain’t it great? / Rock in the new fascist state!" Anyways, the original line was always too embarrassingly sappy for me not to cringe when I hear it.

The real question however, is what the hell was it doing at my parent’s house? My parents were not hippies and they certainly don’t listen to techno. I’m the only candy raver in the family. The CD was unopened. I unwrapped it and put it on. My Mom’s going a little deaf so just smiled and pretended to be mildly disapproving. My dad said, "What the hell is that noise?" It was like I was in high school again.

Neither of them would admit knowing anything about it at first but my mom finally said she thought it came in the mail one day. I was trying to figure out what they were hiding. Had they made a major lifestyle change? Where they doing x on the weekends and making younger "friends"? I found it hard to believe that some record label was mass mailing techno CDs at random to the suburbs of the San Francisco Bay Area.

Hmmmm. It was a cut out though. And the more I looked at the sleeve the weirder it was. I didn’t realize Sir Ivan was so old. He looks like he could have been on the younger side of the original hippies way back when. Maybe he was just trying to find his demographic.

Then I read the liner notes and found that his version is "dedicated to the memory of the 1.5 million Jewish children under the age of 12 that were murdered by the Nazis and all victims of hate crimes – with the hope that there will one day be peace in the Middle East and everywhere else in the world". Well, that seems rather random for a song about wearing flowers in one’s hair at Golden Gate park.

So I found his website and some promo materials . It turns out that Sir Ivan is the son of a Auschwitz survivor and lost "59 relatives" to the Holocaust. He also performs under the superhero alias "Peaceman" and considers himself a philanthropist. So maybe he really was just sending his message out with a request for donations. It would be like my mom to recycle the cover letter but be unable to throw out the CD which would sit, never touched again, until one of her sons found it and began mocking her.

I can’t believe I pretty much accused her of lying on Mother’s Day. I’m a bad son.

Oh, btw you can get your free copy from the first website linked above. The song still sucks though.

Thursday

Dec. 1st, 2003 01:03 pm
gordonzola: (Default)
Thursday [livejournal.com profile] jactitation was sick. After calling the video stores and having no answer, I called [livejournal.com profile] nodoilies and she kindly lent Jacco a few videos and a DVD that I went to pick up so Jacco wouldn’t have to watch the Macy’s parade and "feel-good" movies all day. As I left Nodoilies’s apartment, I realized that I had just called too early and almost every store, including two of the three video stores within three blocks of my apartment, were open. I got Jacco a lamb schwerma from the Middle Eastern place for sustenance and left for my parent’s house.

Thanksgiving, because of certain child custody issues, has become the only Must-Attend holiday at my family’s. It’s fairly small, just my parents, my brother and his wife, my sister, her husband and their three kids. I brought no witnesses. It tends toward the dull side especially now that the dog is dead and people can’t project their weight issues into concern for its health. One of my biggest family regrets is that I didn’t keep a journal of passive aggressive dog/weight comments over the years that were really directed at other people or just instructive of people’s own personal insecurities.

Highlights? My 15-year-old rebellious niece* wearing headphones and singing along, too loudly in the way headphone wearers do, to Tupac "Changes". I was, of course, the only one who recognized it. "What are you laughing at Gordon?" Mom asks.

"Oh nothing."

Besides that, my other niece had recorded a CD of show tunes ("Little Mermaid", "Annie" etc.) as an audition thing for some famous-if-you-live-in-LA music teacher. My brother-in-law, a semi well-known (if-you-live-in-LA) defense attorney and frustrated musician, played the music and sang the duets with her. Aren’t father-daughter duets the creepiest thing imaginable? Especially with that creepy-anyways "Annie" theme song? ("Together at last / together forever / tying a knot they never can sever")


*Who, for the record, is just as white as me.

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