I know many of you out there are Sci-Fi folks. Beyond a couple of obvious titles and authors (
The Dispossessed by Ursula LeGuin is one of my favorite novels ever) I’ve never really gotten it. My genre guilty pleasure is reading mysteries.
When I was a kid I loved mysteries. My favorite series was the Three Investigators which, despite a commercial tie-in to the Alfred Hitchcock media empire was really well-written for y/a books. Besides, the super-genius main character lived in a junk yard and was fat. What’s not to love? The kids were still pretty much goody-goodies, but not like the diabetic-coma-inducing Hardy Boys twerps.
But when I got all politicized I stopped reading mysteries cold. I was moving on to adult books (you know what I mean, not
kids books) and the mysteries seemed to be too right-wing, involving good-guy cops and the idea that "the system" would actually provide justice, if sometimes just needing a little push. Fuck that. Smash the state. I was a teen anarchist. Watch me be self-righteous.
Not that my analysis wasn’t partially correct. Most mass-market mysteries, especially in the late-‘80s were insipid, badly-written, odes to the police state. Happily though, and with suggestions by
jactitation I discovered the joys of the lesbian feminist mystery.
I picked the most political ones to start with. Barbara Wilson’s
Murder in the Collective,
The Dog Collar Murders and
Sister of the Road. These are a little dated now, the killer is found out in
Murder because
porn is found in his room proving he must be completely evil!. Oh, the ‘80s! But they’re worth reading.
Dog Collar is a great account of the lesbian sex wars of the ‘80s with a murder backdrop and
Sister has an intense ending that undoes the assumptions one makes as a reader.
Eventually I found authors and presses that I liked, and mysteries again became my guilty pleasure reading of choice. Grafton, Paretsky, Muller, etc. Then I found Chandler and realized where a lot of the good stuff was coming from. No one metaphors like he did. I can even read some cop mysteries now without filling full of hate. At least ones like Kate Allen’s.
However, because I was cherry-picking the good and political stuff for so long, I forgot how bad some mysteries could be. Recently, my Dad discovered my reading habits and started loaning me books. First was
The Da Vinci Code, which has the unique ability to not only be the most cliched-filled waste of time I’ve read in years, but somehow is so bereft of interesting phrases that I can feel it’s memory black-hole-sucking original thoughts out of my head when I try to describe it. I must stop writing of it now or risk permanent brain damage.
Then he leant me a John Dunning book. John Dunning writes mysteries about a book dealer so he’s kind of a darling among people like my dad who collects and sells hunting and fishing books. I’m only on page 28 and the cliches are wounding me so bad that I may have to stop reading. Example: (the narrator dealing with an insult by a pompous author) "Normally at this point I would take off my kid gloves and bring up my own verbal brass knucks" My eyes! They’re bleeding!
But there’s a creepiness which both intrigues me and makes me want to throw the book into the corner and never pick it up again. (Of the narrator’s future love interest named Erin d’Angelo) "Her name suggested an Irish-Italian clash of cultures but to me she looked only like the best of America. She might have been a freshman college student straight from the heart of the country, a professional virgin with taffy-colored hair, a lovely oval face, and big eyes that radiated mischief."
"Professional virgin"? I don’t even know what this means but I think it somehow reveals too much about the author.
Anyways, this is a roundabout way of asking for suggestions of mystery writers to read. Anyone?